Paul O'Brien delivers a scathing criticism of the Black Panther/Storm wedding as a gimmick stunt: http://www.thexaxis.com/minis/storm6.ht
Jeff Lester over at "Savage Critic" takes a much more feministic and character-centric approach, which both surprises and delights me: "Say what you will about Chris Claremont, but for many years (before the psychic-rape fixation really kicked in) he made a African (and American) woman a popular figure in a genre that didn't exactly boast a surplus of such characters (or a surplus of such readers, for that matter) and she commanded, for quite a while, a lot of dignity and respect. And say what you will about Reginald Hudlin, but in making Storm a perfect mate for the Black Panther--she's now a princess, she now has family, she now has a love of her life for which she's always pined--he's stripped the character of anything recognizable apart from superpowers and physical appearance. [Diana notes: "Yeah, and most of her clothes have disappeared too."] Feminists looking for examples of the whole 'marriage as slavery' argument will find a lot of interesting metatext in this issue as, despite Storm being a popular character in the most popular comic book of the last thirty years and the Panther being a cool character who can barely keep a book for the last six, the achievements bandied about by the BET presenters (and what a creepily self-serving plug that is, coming from the President of Entertainment for BET) are nearly all the Panther's, and all of the famous friends--'Reed and Sue Richards, Captain America, Iron Man'--are the Panther's, as well as it being the Panther's rules by which they marry, the Panther's country, the Panther's god which Ororo must appease, etc., etc., etc. In short, the book is creepy, cynical, self-serving, patriarchal and--seeing at it forgets that Ororo already received the approval of the Panther God in that recent X-Men Annual that ties into this story--sloppy. No, sir, I didn't like it. It was Crap.."
Bravo, boys. Bravo.
Tuesday, August 1, 2006
Here Comes The Bride, If Only She'd Died
Posted by Diana Kingston-Gabai at 8:57 AM
Labels: commentary
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